According to some highly-regarded scholars of the intersection of music and popular culture (by which I mean, whoever wrote the first entry that came up after my hasty Google search), David Lee Roth once said that the reason most music critics love Elvis Costello is because most music critics look like Elvis Costello. (For those […]
Happy Valentine’s Day (sorta) from the Undies:
Enjoy.
Micropersuasion.com’s Steve Rubel recently described the revolution underway as (i.) content production and distribution explodes and (ii.) creators bypass intermediaries to go direct. Providing an apt metaphor, he called for Digital Curators to help audiences discover, experience, and understand the best “finds” within this ever-increasing flow of content.
Nice call, Steve. Thank you.
We help audiences (all of us) find, follow, and enjoy the best work from the emerging class of self-sustaining Internet-based artists, aka the Undependents or Undies, who are telling amazing stories within podcasts, video, webcomics, machinima, animation, etc.
As curators, we feature these programs:
The Undependent Universe’s Collection continues to grow. It currently includes the following, in no particular order (visit the site for links):
Thanks again, Steve, for your great post and ongoing work. And thanks, too, to all the Undies and especially all the fans who support them. Without you, this revolution doesn’t happen.
I recently highlighted Despair’s BitterSweets relaunch. In their typically super-creative fashion, they have amplified this product and taken it to a completely new level. Fans can now share their own expressions of dejection, dysfunction, and Despair.
At iheart.despair.com, you can:
In addition, since this product is completely integrated with their store, you can purchase these items in the same order as a t-shirt, mug, and custom calendar.
This is some seriously cool stuff. Share the love.
Time Magazine’s Lev Grossman calls webcomic Achewood (which is, perhaps, the best comic strip in American history) the best graphic novel of the year, noting “(i)t’s not a graphic novel in every, or maybe any, traditional sense, since its primary venue is the Web, but Achewood is so profoundly genius it would be a crime to put it anywhere but on this list, and at the top of it.” (more…)
Undependent™ tracks the emerging class of self-sustaining Internet-based artists. By artist we don’t mean artiste. We mean those content creators whose self-expression originates in and emanates from the Internet itself. The compelling ones attract audiences and in so doing are capable of creating completely self-sustaining businesses with total artistic control. (Read more here)
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